Editorial design has been a key part of my practice since my first role at Wallpaper*, where I worked alongside art director Mieron Pritchard. That experience shaped my understanding of typography, imagery and storytelling, and how individual layouts come together to create a coherent publication. It established an approach grounded in attention to detail, sensitivity to content and a strong sense of visual identity. My editorial experience also includes my role as art director at Protein magazine, where I developed these interests through a different editorial voice. Across print and digital editions, I’m interested in how design guides the reader, using hierarchy, pacing and composition to give each story its own character. My approach balances clear structure with expressive moments, allowing words and images to support one another without competing for attention. Whether through a photographic spread, a detailed feature or an interactive digital layout, the aim is to create an engaging reading experience that feels appropriate to the content. Working across these publications helped shape my wider design practice, particularly the importance of understanding a story before deciding how it should look. It’s an approach I continue to carry into my work: thoughtful, content-led design with clarity, rhythm and personality.